It was supposed to be a defining, catalytic moment for French society.

Horrific, but unmissable. Unignorable.

The seaside town of Vannes, in southern Brittany, had carefully prepared a special venue and a separate overflow amphitheatre for the occasion.

Hundreds of journalists were accredited for a process that would, surely, dominate headlines in France throughout its three-month duration and force a queasy public to confront a crime too often shunted to the sidelines.

Comparisons were quickly made with – and expectations tied to – last year's Pelicot mass rape trial in southern France and the massive global attention it garnered.

Instead, the trial of France's most prolific known paedophile, Joel Le Scouarnec – a retired surgeon who has admitted in court to raping or sexually assaulting 299 people, almost all of them children – is coming to an end this Wednesday amid widespread frustration.

"I'm exhausted. I'm angry. Right now, I don't have much hope. Society seems totally indifferent. It's frightening to think [the rapes] could happen again," one of Le Scouarnec's victims, Manon Lemoine, 36, told the BBC.

Ms Lemoine and some 50 other victims, stung by an apparent lack of public interest in the trial, have formed their own campaign group to pressure the French authorities, accusing the government of ignoring a "landmark" case which exposed a "true laboratory of institutional failures".

The group has questioned why a parliamentary commission has not been set up, as in other high-profile abuse cases, and spoken of being made to feel "invisible", as if "the sheer number of victims prevented us from being recognised."

Some of the victims, most of whom had initially chosen to testify anonymously, have now decided to reveal their identities in public – even posing for photos on the courthouse steps – in the hope of jolting France into paying more attention and, perhaps, learning lessons about a culture of deference that helped a prestigious surgeon to rape with impunity for decades.

The crimes for which Le Scouarnec is on trial all occurred between 1998 and 2014.

"It's not normal that I should have to show my face. [But] I hope that what we're doing now will change things. That's why we decided to rise up, to make our voices heard," said Ms Lemoine.

So, what has gone wrong?

Were the horrors too extreme, the subject matter too unremittingly grim or simply too uncomfortable to contemplate?

Why, when the whole world knows the name of Dominique and Gisèle Pelicot, has a trial with significantly more victims – child victims abused under the noses of the French medical establishment – passed by with what feels like little more than a collective shudder?

Why does the world not know the name Joel Le Scouarnec?

"The Le Scouarnec case is not mobilising a lot of people. Perhaps because of the number of victims. We hear the disappointment, the lack of wide mobilisation, which is a pity," said Maëlle Noir, from feminist NGO (All of Us).

Some observers have reflected on the absence in this case of a single, totemic figure like Gisèle Pelicot, whose public courage caught the public imagination and enabled people to find some light in an otherwise bleak story.

Others have reached more devastating conclusions.

"The issue is that this trial is about sexual abuse of children.

There's a virtual on this topic globally, but particularly in France. "We simply don't want to acknowledge it," Myriam Guedj-Benayoun, a lawyer representing several of Le Scouarnec's victims, told me.

In her closing arguments to the court, Ms Guedj-Benayoun condemned what she called France's "systemic, organised silence" regarding child abuse.

She spoke of a patriarchal society in which men in respected positions like medicine remained almost beyond reproach and pointed to "the silence of those who knew, those who looked the other way, and those who could have – should have – raised the alarm".

The depravity exposed during the trial has been astonishing – too much for many to stomach.

The court in Vannes has heard in excruciating detail how Le Scouarnec, 74, wallowed in his paedophilia, carefully detailing each child rape in a succession of black notebooks, often preying on his vulnerable young patients while they were under anaesthetic or recovering from surgery.

The court has also been told of the retired surgeon's growing isolation, and of what his own lawyer described as "your descent into hell", in the final decade before he was caught, in 2017, after abusing a neighbour's six-year-old daughter.

By the end, alone in a filthy house, drinking heavily and ostracised by many of his relatives, Le Scouarnec was spending much of his time watching violent images of child rape online, and obsessing over a collection of lifelike child-sized dolls.

"I was emotionally attached to them… They did what I wanted," Le Scouarnec told the court in his quiet monotone.

A few blocks from the courthouse, in an adapted civic hall, journalists have watched the proceedings unfold on a television screen. In recent days, the seats have begun to fill up and coverage of the trial has increased as it moves towards a close.

Many commentators have noted how the Le Scouarnec trial, like the Pelicot case, has exposed the deep institutional failings which enabled the surgeon to continue his rapes long after they could have been detected and stopped.

Dominique Pelicot had been caught "upskirting" in a supermarket in 2010 and his DNA quickly linked to an attempted rape in 1999 – a fact that, astonishingly, wasn't followed up for a whole decade.

At Le Scouarnec's trial a succession of medical officials have explained – some ashamedly, others self-servingly – how an overstretched rural healthcare system chose, for years, to ignore the fact that the surgeon had been reported by America's FBI in 2004 after using a credit card to pay to download videos of child rapes on his computer.

"I was advised not to talk about such and such a person," said one doctor who'd tried to sound the alarm.

"There is a shortage of surgeons, and those who show up are welcomed like the messiah," explained a hospital director.

"I messed up, I admit it, like the whole hierarchy," a different administrator finally conceded.

A Grade I listed abbey dating back to 1069 has been given a £1m grant for major repairs and to help tell the "largely untold stories" of its medieval origin.

Selby Abbey, a former Benedictine monastery, is one of eight places of worship in Yorkshire to have received funding from the National Lottery Heritage Fund in the last six months.

As part of the project, the stained-glass St Germain Window in the North Transept will undergo restoration and a number of community events will take place.

The abbey's vicar, the Rev Canon John Weetman, said: "With the help of the National Lottery Heritage Fund we will be able to ensure that this wonderful abbey is preserved for future generations to enjoy."

Originally a wooden complex, the abbey was rebuilt in the Romanesque style and has been extended and reconstructed over the centuries following instances of structural collapse and fire.

Since the dissolution of the monastery in 1539, it has operated as a parish church.

Some of the funding will go towards an array of events such as willow weaving, stained glass and embroidery workshops, graffiti workshops (using site hoardings) and training in biodiversity-enhancing gardening practices linked to the monastic gardens.

Mr Weetman said: "We will be able to involve many more people from the local community and beyond in discovering how the abbey and the town came to be here, and how they developed during those early years of their history in medieval times."

In the East Riding, Grade I listed All Saints Church in Hessle has been awarded £229,768 for the "Towering Presence" project, which will carry out critical repairs and deliver a programme of inter-generational events.

The Rev Gemma Turner, vicar of All Saints, said: "Not only does this save our historic 15th-Century tower, but it helps us to engage the whole community of Hessle in exploring not just the heritage of the church, but the town itself."

Other places of worship to receive funding are St Thomas' Church in Osbaldwick, All Saints Parochial Church in Helmsley and St Martin's Church in Bulmer.

Hull Minster and Sir Moses Montefiore Memorial Synagogue in Grimsby have also been awarded funding.

Meanwhile, Bradford Cathedral has been given funding to invite visitors during Bradford UK City of Culture 2025 to co-create a new tapestry using a loom installation.